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"Non-Stop" proves anything, besides confirming that 61-year-old Liam Neeson is not going to be knocked off his perch as the elder statesman of B-movie tough guys any time soon, it’s that snakes on a plane have nothing on texts on a plane when it comes to in-flight annoyances.


If I wanted to read my way through a film that features words dancing around the screen as if they were waltzing Post-Its, I would have sat through a foreign movie with subtitles instead.
But what would modern-day thrillers be these days without cell phones as a shorthand way to advance the plot and reduce the need for any actual clever repartee between characters? Especially when the clock is ticking down the minutes until something either goes boo or boom.

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Certainly, this mile-high action flick would barely get off the ground without such technological aids, considering its premise is as reliant on Miss Marple mysteries—specifically, the gathering of potential perpetrators who conform to certain types—as it is on digital devices. Wacth Non Stop Online Free
The rather ingenious if preposterous premise, one that only goes way off course in the heavy-handed third act: Neeson’s burned-out alcoholic air marshal struggles to find the fellow passenger aboard his New York-to-London flight who has sent him anonymous messages threatening that someone on the plane will be killed every 20 minutes until $150 million is deposited in a special account.


As most frequent flyers, know there are rules about phone use once you leave the gate. But ignoring such regulations is just one of the reasons "Non-Stop" is so ridiculously entertaining in spite of its occasional lapses in real-world logic. Nicotine addicts might vicariously appreciate how Neeson’s Bill Marks disables the smoke detector in the lavatory—duct tape is the key—so he can puff away while aloft with impunity. Others may be awed by how our grizzled hero takes advantage of the narrow confines of that same bathroom to efficiently pulverize an attacker to death.

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Director Jaume Collet-Serra and veteran producer Joel Silver ("The Matrix" franchise, "Die Hard" and "Die Hard 2"), who both previously teamed with Neeson on 2011’s "Unknown", happily settle for economy-class storytelling. They know that their not-so-gentle giant of a star will emote just enough to keep the audience satisfied as he forcefully strides through the aisles and shouts orders in his resonant Irish burr. They also know how to humanize him, as Neeson kindly reassures the mandatory unaccompanied minor, a blonde moppet with stuffed animal in tow.


They do, however, indulge in upgrades when it comes to the supporting cast—most suspicious characters in their own special way. Many are over-qualified for the assignment, similar to the way stage legend Helen Hayes played a little old lady stowaway in 1970's "Airport". Rest assured none will be winning an Oscar like Hayes did for her ride in the sky, but attaching themselves to the coattails of a late-career box-office titan like Neeson is a reward in itself. Wacth Non Stop Online Free


Look, there's "Downton Abbey"'s Lady Mary—Michelle Dockery—as the main flight attendant (I kept wishing she would pull a Karen Black and commandeer the cockpit, but there is always the possible sequel). That bald  cop who keeps grousing? Corey Stoll from Netflix's "House of Cards". And isn't that Scoot of "Argo" as the skinny nervous guy with glasses?

And what about four-time Oscar nominee Julianne Moore as an over-stressed businesswoman who is lucky enough to be seated next to a grimacing Neeson? And, speaking of Academy Awards, current supporting actress nominee Lupita Nyong’o of "12 Years a Slave", who spouts barely five lines on camera in a fetching British accent, is Lady Mary's fellow attendant. There is also a Muslim doctor (racial profiling opportunity, naturally) and a nerdy black computer specialist for added diversity.

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The twist, which is revealed in the trailer, is that the terrorist mastermind behind this stunt has figured out a way to manipulate matters so that Neeson's disgruntled marshal appears to be a hijacker holding everyone hostage. It doesn't help that he keeps waving his gun and roughing up the passengers while increasing the ever-present post-9/11 levels of paranoia. In one of several welcome comic-relief moments, as the passengers appear ready to mutiny against their supposed captor, Neeson suddenly offers everyone free international travel for a year on behalf of the airline.

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If it saddens anyone that the Oscar-nominated Nazi fighter in "Schindler’s List" is employing his skills as an amateur boxer these days more than his flair for the dramatic to make a living, worry not. Neeson shows he has still got it as the voice of the wee swivel-headed figure known as Bad Cop/Good Cop in "The Lego Movie", a role that allows him to be less plastic than he is in "Non-Stop".

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Wacth Mr. Peabody & Sherman Full HD

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Mr. Peabody, the most accomplished dog in the world, and his mischievous boy Sherman, use their time machine - The "WABAC" - to go on the most outrageous adventures known to man or dog.
                                         Wacth Mr. Peabody & Sherman Full HD

But when Sherman takes The Wabac out for a joyride to impress his friend Penny, they accidentally rip a hole in the universe, wreaking havoc on the most important events in world history. Before they forever alter the past, present and future, Mr. Peabody must come to their rescue, ultimately facing the most daunting challenge of any era: figuring out how to be a parent. Together, the time traveling trio will make their mark on history.

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Plans for a film based on the characters of Mister Peabody and Sherman have existed for several years with director Rob Minkoff. His first attempt to make a feature film goes to 2003, when it was reported that Minkoff's Sony-based production company Sprocketdyne Entertainment and Bullwinkle Studios would produce a live-action/CG film, with a possibility of Minkoff to direct it.






The live-action film was not realized, but in 2006, Minkoff joined DreamWorks Animation to direct a computer-animated film adaptation. Andrew Kurtzman was set to write the screenplay, based on the pitch, developed by Minkoff with his longtime producing partner Jason Clark.^[21]



Tiffany Ward, daughter of Jay Ward, one of the creators of the original series, served as an executive producer,^[5] whose job was to make sure the film stayed "true to the integrity of the characters." When she was approached by Minkoff ten years before the film's release, she was enthused by his intention to respect the legacy: "What better caretaker for the characters could we ask for than Rob.
"^[22] Lengthy pursuit to make the adaptation "perfect" took them a long time, but she was pleased with the end result, which stayed "very true to the original cartoon.

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Mr. Peabody & Sherman went through several release date changes. Originally scheduled for March 2014,^[24][25] DreamWorks Animation's high expectations moved the film to November 2013, replacing another DreamWorks Animation film Me and My Shadow.The last shift happened in February 2013, which pushed the film back to March 7, 2014, reportedly due to "more advantageous release window", again replacing Me and My Shadow. The film premiered a month earlier in the United Kingdom, on February 7, 2014.

The film was planned to be theatrically^[29] accompanied with a DreamWorks Animation short film Rocky & Bullwinkle based on the Rocky and
Bullwinkle characters from The Rocky and Bullwinkle Show. Wacth Mr. Peabody & Sherman Full HD

The short was directed by Gary Trousdale, who is known for co-directing Beauty and the Beast, produced by Nolan Cascino, and written by Thomas Lennon and Robert Garant.^[30] June Foray will reprise her role as Rocket "Rocky" J. Squirrel,^[30] while Tom Kenny will voice Bullwinkle Moose.^[31] The short will serve as a test for a possible feature film based on the characters.

Casting conundrum for the upcoming animated film Mr. Peabody & Sherman: Who do you find to voice the part of a smug, over-confident parent?

Up steps Stephen Colbert, the man who has personified these qualities as the host of Comedy Central's The Colbert Report, where his role is to satirize conservative TV political pundits.

Here's a likable, surreal and often funny animated feature written by Craig Wright and directed by Rob Minkoff (noted for The Lion King).

It's derived from a recurring segment of the old 1960s US TV show Rocky and Bullwinkle – a segment that I have to admit was absolutely unknown to me until now.
Mr Peabody is a super-intelligent beagle (voiced by Ty Burrell) resident in a spectacular New York apartment who has been granted the right to adopt a human boy: this is seven-year-old Sherman (voiced by Max Charles).
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Mr Peabody is a finicky and precise but very caring foster parent, with a slight resemblance to Dr Niles Crane in the 90s TV show Frasier, as played by David Hyde Pierce.
He wants to complete young Sherman's historical education with a time-machine he has invented, allowing them both to visit various important eras.

It's a headspinningly wacky premise, and it takes a little while for the audience to get up to speed, but once this is achieved, there's an awful lot of unexpected fun to be had, boasting zany adventures with various historical figures. A twist on the Trojan Horse episode is inspired.

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Wacth The Bag Man HD Movie

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THE BAG MAN was co-written by David Grovic and Paul Conway, and is David Grovic’s directorial debut.  The film has a running time of 108 minutes and is not rated by the MPAA.  Cinedigm will release THE BAG MAN on February 28, 2014 in select markets.


THE BAG MAN is a taut crime thriller that follows the story of JACK (John Cusack), a tough guy with chronic bad luck but human touches. Hired by DRAGNA (Robert De Niro), a legendary crime boss to complete a simple but unusual task, the plot centers around the anticipated arrival of Dragna who has summoned JACK and a host of shady characters to a remote location for unknown reasons. Over the course of a long and violently eventful night awaiting Dragna’s arrival, Jack’s path crosses that of RIVKA (Rebecca Da Costa), a stunningly beautiful woman whose life becomes physically and emotionally entangled with Jack’s. When Dragna finally arrives on the scene there are sudden and extreme consequences for all.

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There's darkness that is moody and effective. And then there is incompetent darkness where you can barely see what is going on. "The Bag Man", helmed by first-time director David Grovic, features darkness of the latter kind.
Watching "The Bag Man"
, if nothing else, gives you a heightened appreciation of the lighting designers in the 1940s and 1950s, who were able to fill those noir screens with encroaching shadows, creating a palpable sense of impending doom, while never sacrificing clarity of image.

"The Bag Man" is so sloppily executed it feels like they didn't have enough light fixtures to get the effects they wanted. But that's only one of the problems. The acting is fine. The story is pretty stock, but there's no shame in a stock story.
The main issue is the script (co-wirtten by Grovik and Paul Conway), which is too clever for its own good, giving an impression of being very pleased with itself.

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Quentin Tarantino's scripts burst onto the scene in the early-1990s with a fresh voice and a fresh point of view, adding layers of irony and post-modern awareness to what were well-known cinematic tropes. Grovic tries to place his film in the same bucket but it suffers in comparison.

John Cusack plays Jack, a hired gun, on the run from a shady past, involving an ex-wife who was murdered after they had an argument about his job. Robert De Niro plays a heavy named Dragna, who hires Jack to transport a mysterious black leather bag for him. Jack is warned over and over again to not look in the bag.
The job is simple on the face of it: retrieve the bag, go to a specific motel, and wait in Room 13 for further instructions.

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Things go south almost immediately, of course, and the situation is exacerbated by the fact that the motel Jack is told to check into is, bar none, the creepiest motel in the history of America. Run by a wheelchair-bound paranoid guy played by Crispin Glover, who (shades of "Psycho") has a dead mother, the motel is populated by a motley crew of violent misfits, including a pimp with an eye patch, a cackling, evil Serbian-Roma dwarf in a tracksuit, and a leggy, blue-wigged hooker named Rivka (Rebecca Da Costa), who says she's from Israel even though she isn't: "I like Israel. I love Israel."
Rivka latches herself onto Jack, hiding in his room from the pimp and the dwarf, who threaten to do horrible things to her when they retrieve her.

Violence against Rivka is used as a motivating plot-point throughout, one of the script's more unsavory aspects. Later, when Jack and Rivka are hauled into a creepy police station for questioning and torture, Rivka lies mostly naked on a nearby table with one of the cops teasing at her panties with a threatening baton, and the Sheriff says to Jack, in an eyeroll of a line, "If you send us on some kind of wild goose chase, we will take liberties with the girl." The script keeps circling back over the same territory, lacking urgency or a push forward. Lines are repeated in a way that gives an impression of a script spinning its wheels.

Robert De Niro's Dragna is a dude who wears plaid jackets, thick glasses, and his grey hair in a swoopy high pompadour. He is seemingly mild-mannered, and confesses that he wanted to go into "academia", but we know he is capable of violence; we see it early on.

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 He courts Jack for the job by taking him for a flight in a gleaming private jet, carefully cutting his food up to demonstrate what he wants Jack to do: The broccoli is the money, the potato is the bag, etc. Dragna says things like, "I am a connoisseur of the unexpected but I don't like surprises.

"De Niro plays these ridiculous lines well, undercutting the script and underplaying, which is really the only way to go. Dragna comes off as a truly loopy individual, urging Jack to read Hermann Hesse's "Magister Ludi" before taking the job, and asking him later if he has read the book. The book might help Jack understand the game. Because it's all a game, after all.

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And maybe that's the problem. "The Bag Man" feels like a game. The stakes are seemingly high, but not really. Will Jack look in the bag? What do you think? Will Rivka turn out to be more than she says she is? What do you think? Even the big reveals, about the bag, and about Rivka, are handled in such a cliched manner that they lack the "Keyser Söze" gasp of understanding they seem to require. We've seen it all coming. We've seen it before.

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Updated: 1 Januari 2014 at 19.42.Under Category: Thriller Movies,Movie 2014.

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Years after a drunken car crash that almost took his life, Tommy Carter has reinvented himself as a therapist/spiritual advisor who advocates a synthesis of world religions and positivity. He's parlayed this vocation into a successful book release that one day draws the attention of Angel Sanchez, a profoundly troubled man fixated on the "untimely" death of his mother. When Carter takes on Sanchez as a personal client in an effort to raise funds for his indebted brother Ben, things quickly take.

Years after a drunken car crash that almost took his life, Thomas Carter (Anthony Mackie) has reinvented himself as a therapist/spiritual advisor who advocates a synthesis of world religions and positivity. He's parlayed this vocation into a successful book release that one day draws the attention of Angel Sanchez (Forest Whitaker), a profoundly troubled man fixated on the "untimely" death of his mother. When Carter takes on Sanchez as a personal client in an effort to raise funds for his indebted brother Ben (Mike Epps), things quickly take a turn for the worse. Angel needs much more than a simple life coach. What may be simple to grasp for some is the idea that single actions in the past comprise tidal waves of  present.
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Updated: 1 Januari 2014 at 19.42.Under Category: Thriller Movies,Movie 2014

Wacth Repentance Online Free

From Lionsgate and Codeblack Films. Years after a drunken car crash that almost took his life, Tommy Carter (Anthony Mackie) has reinvented himself as a therapist/spiritual advisor who advocates a synthesis of world religions and positivity. He’s parlayed this vocation into a successful book release that one day draws the attention of Angel Sanchez (Forest Whitaker), a profoundly troubled man fixated on the “untimely” death of his mother.

When Carter takes on Sanchez as a personal client in an effort to raise funds for his indebted brother Ben (Mike Epps), things quickly take a turn for the worse. Angel needs much more than a simple life coach. What may be simple to grasp for some is the idea that single actions in the past comprise tidal waves of reactions in the present. Director Philippe Caland's REPENTANCE examines these issues against a backdrop of kidnapping and murder.
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This is a very good book. It is good because it is far more balanced than most accounts of the war, because it captures the human dimension as well as policy, and because it is better than its predecessor Armageddon. The latter, on the last stages of the war in Europe was also a good book, but in it Hastings was overly prone to make comments on fighting determination and characteristics at a national scale that were ripe for qualification, not least his tendency to underrate the Americans and the British and to overrate German fighting proficiency.

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Watch Repentance 2014 Movie Horror Thriller Box Office The new work is particularly successful because of its determination to include the war in China. There were major operations there in 1944-5, not least a large-scale Japanese offensive. This has been one of the more obscure sections of the war, and Hastings is to be congratulated for discussing it and underlining its importance.
Indeed, the continued prominence of the war in the public memory of both states is such that this is one of the more important aspects of the war as far as the modern world is concerned.
As Hastings makes clear more generally, this continued prominence owes much to the nature of Japanese warmaking.

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Having already entered a caveat about the concept of national characteristics, I have to be cautious, but Hastings makes his point that the systematic nature of Japanese brutality (for example that on Luzon which he discusses in some detail) was such that we are not simply considering rogue elements but rather an inherent characteristic. This certainly provides an instructive moral counterpoint to the discussion of the American bombing of Japan, although the rationale for that of course was military and strategic. In particular, it was necessary to demonstrate that the Japanese turn to asymmetrical warfare in response to American preponderance would be self-destructive without inflicting any significant damage on the USA.

Japan's treatment of captives and the conquered is also discussed by Hastings with a full revelation of the cruelty and depravity involved.
While addressing such issues between combatants, Hastings is also aware of the rivalries between allies, including those within the same country.

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Thus the bitter criticism voiced by the American army of the allegedly sacrificial tactics used by the American Marines is included in the grim discussion of Iwo Jima.
The fighting there was certainly harsh, with the Japanese willing not only to commit suicide but also to kill compatriots who had surrendered and therefore lost honour.

Hastings concludes this section by pointing out that: if some historians judge that America's warlords erred in taking Iwo Jima, the commitment seemed natural in the context of the grand design for America's assault on the Japanese homeland. This is a fair point, although of course island hopping and bypassing strongholds was essential to American strategy, not least in thwarting the Japanese hope of causing unacceptable casualties.

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The conflict at sea receives full coverage and there is a particularly welcome,Watch Repentance 2014 Movie Horror Thriller Box Office albeit short, chapter n the American submarine war on Japan. This includes an interesting reflection on the need to think strategically
 (pp. 301-2):
Only 4 per cent of American naval air sorties were
 directed against merchant shipping … If American carriers had cruised south of Java and Sumatra, they might have achieved extraordinary results.
That they did not do so reflected the preoccupation of Nimitz's commanders with engaging enemy warships and … hitting the Japanese home islands … some of its admirals should have studied economies as well as tactics.

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Rancour, anticlimax, mopping up, domestic strife and battlefield frustration are the themes of Australian operations in the last stages of the war, and they did not compare to the British operations in Burma, which are ably discussed. Throughout, the war is personalised, with able quotations from those involved: commanders, combatants and civilians.
Hastings ends his impressive work with a call for
Japanese repentance.

The case is very well made but there are few signs that his call will be heeded.
Forest Whitaker gets his crazy on in the trailer for horror/thriller Repentance!
Due to be released in February 2014,
 Repentance tells the story of a life-coach/author, Thomas Carter, who is abducted by a deranged client, Angel Sanchez (Whittaker). Apparently convinced that he can see dead people, Angel seems determined to create hell for Carter and his family.

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An earnest life-coach/author, Thomas Carter, is mysteriously abducted by a deranged client, Angel Sanchez, who delves into Thomas’ teachings and uses his spiritual messages of Karma – action and reaction (Vipaka), against him to terrorize him and his family for their past sins.

The first trailer has been released for the February 2014 psychological thriller movie "Repentance," starring Forest Whitaker, has been made available for viewing.

Notable actor Forest Whitaker (“Ghost Dog: Way of the Samurai,” “Species,” “Invasion of the Body Snatchers,” and “The Shield”) has a new movie that's coming out on February 28, 2014 called.

Mackie plays the role of life-coach Thomas Carter who has a couple of self-help books. Thomas and Angel meet at a book signing where the latter asks the former if he does private sessions. The two of them do the private sessions with Angel having hallucinations about seeing the spirit of his dead mother. On top of that, it seems that Angel has a family of his own but seems separated from them.

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Later this month the Brown Sugar actress will appear alongside Oscar winner Forest Whitaker and Anthony Mackie in the thriller Repentance.
The film centers around a profoundly troubled man [Whitaker] fixated on the untimely death of his mother. Single actions in the past create tidal waves of reactions in the present, and the storyline of film takes a drastic/surprising turn.
In an interview with theGrio’s Chris Witherspoon, Lathan opened up about her role in Repentance, which she compares to the Oscar-winning film Misery, and discussed the lack of roles in psychological thrillers for black actors.

“We definitely haven’t seen a lot of psychological thrillers with black people, and you know, we get scared too,” Lathan  joked. “I think it’s great that right now there seems to be a renaissance with black films. Black films are making money…and we really want to see ourselves in all kinds of situations whether it’s comedy or drama or a scary thriller.”
Lathan also revealed that she’s on board to do another installment of The Best Man, and talked about the likelihood of a Love & Basketball sequel.
Repentance hits theaters nationwide February 28.

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